The Training of the Actor has sought throughout its history to empower the actor with the most effective method of profoundly moving an audience. The present volume seeks to accomplish this most lofty of goals by anchoring the actor’s process deep in the body from the first contact with the material to be performed. The bypassing of the chatter from the brain is the most direct route to liberation of the actor and the satisfaction of the audience. If we can learn to listen to the center of the body we can free ourselves to, not only be successful with our audiences, but to find endless joy and empowerment that we have heretofore only futilely sought. Acting Is Feeling invites you to experience that freedom.
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