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Descrição do livro

In many places, holding a camera still opens doors.
In others, it raises questions.
Sometimes, it does both.
Licensed to Look: The Camera as an Alibi explores how photography functions not only as a way of seeing, but as a signal—one that grants temporary legitimacy, attracts suspicion, or quietly alters how a person is perceived. Through real cases involving tourists, journalists, students, and intelligence operations, the book traces how the same ordinary act of photographing can be interpreted in radically different ways, depending on context, timing, and power.
Rather than focusing on technique or law, this book examines interpretation: how images acquire meaning after they are made, how intention is often ignored, and how photographs can be reclassified long after the shutter is pressed. From Cold War intelligence to contemporary arrests, detentions, and prosecutions, it reveals a recurring pattern—where visibility itself becomes a risk.
This is not a guide to photography, nor an investigation into specific cases. It is a reflective essay on attention, presence, and responsibility in a world saturated with images. It asks what happens when the camera stops functioning as protection—and what remains when recording becomes a choice with consequences.
Written for readers interested in photography, power, surveillance, and modern life, Licensed to Look offers a quiet but unsettling perspective on what it means to look, to record, and sometimes, to choose not to.

Número de páginas :43
Encadernação Licensed to Look: The Camera as an Alibi (English Edition):Kindle
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