Every bass scale book gives you the shape. This one gives you the fret. One box and “now move it” is why so many bassists know the minor pentatonic in E and nothing anywhere else. The shape is moveable; the neck it moves along was never in the book. So every position in here is drawn at the fret it actually starts on, in all twelve keys, on a four-string bass. “Where do I play Eb dorian” is a page you turn to, not arithmetic you do. What is in it Four strings in fourths is the one way a bass is simpler than a guitar. No pair of strings is the odd one out, so a shape learned across the low two strings is the same shape across the high two, and no position breaks partway up the neck. These eleven scales give exactly as many positions on four strings as they do on six. One page per key. Nothing here needs you to turn a page to finish an answer. Not fingerings. Which finger takes which fret depends on what you played before it and what comes next; a printed answer to that is wrong more often than right. What is printed is where the notes are, and every shape was found by a search that checks it against a real hand — a four-fret span, no finger asked to be in two places. 132 chapters. Eleven scales, twelve keys, standard four-string tuning. For bassists who have learned one box and want the rest of the neck, and for anyone whose next song is in a key their shape does not reach. Every diagram in this book is also interactive on the web. Click a note to hear it, pick any position on the neck, or change the key, the scale or the tuning. Each page here prints the address of its own.
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