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The Fall by John Ruskin. The Stones of Venice, Third Period: The Renaissance, surveys how Venice’s Gothic vitality yields to Renaissance fashions, and then declines into what Ruskin calls a grotesque compromise. He divides Renaissance into three principal currents: Early Renaissance as corrupt Gothic; Central Renaissance (Roman Renaissance) as a pursuit of universal perfection driven by Pride of Science, Pride of State, and Pride of System; and Grotesque Renaissance, where mockery and luxury degrade form. He argues that true architecture arises from temperance, breadth, and the unity of soul, not from dexterous technique or classical ornament. Through meticulous analyses of Venetian palaces, churches, tombs, arches, and inlaid marbles, Ruskin contrasts Byzantine restraint and Gothic energy with Renaissance excess, showing how over-luxuriance, over-refinement, and symbol-laden decoration erode substance. The book fuses architectural history, moral philosophy, and art theory, urging a revival of a living Gothic grounded in spiritual seriousness. Original publication year 1873.

Número de páginas :528
Encadernação The Fall (English Edition):Kindle
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