The Foreign Quarterly ReviewThis issue offers a scholarly panorama of the revival and preservation of France’s medieval arts in the early 19th century, set in post-revolutionary Paris and the reign of Louis-Philippe. It treats urban and regional centers as laboratories where restoration, archaeology, and national heritage are reimagined, foregrounding a shift from destruction to systematic study and display. Central themes include the revival of Gothic and Romaneque forms as national virtue, the emergence of a modern archeological and curatorial culture, and the tension between private patrons such as du Sommerard, Lenoir, and Taylor and public state initiatives. The narrative presents monuments as moral and social educators of citizens and artists, and highlights the influence of literature and public taste in mobilizing cultural policy. A transnational perspective compares France with England, and the text surveys key sites (Hotel de Cluny, Notre Dame, Sainte-Chapelle) and institutions (two commissions, the Petits Augustins) while situating reviews, essays, and criticism within a broader European discourse.
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