pdf Hamlet Prince of Sweden

HAMLET PRINCE OF SWEDEN - The Play Script

When the show must go on... but the cast doesn't.

The greatest tragedy in literature meets comic chaos in this hilarious theatrical script that asks the question: What happens when only two actors show up to perform Shakespeare's HAMLET?
ABOUT THE PLAY

Hamlet Prince of Sweden is a Lecoq-style physical theatre show that transforms Shakespeare's most complex tragedy into an accessible and engaging theatrical experience. A theatre company, ready to debut with a full production of Hamlet, faces disaster on opening night as the entire cast, except for two actors, is involved in a car accident.

THE STORY

Two determined actors must somehow stage all of Hamlet - without lavish costumes, imposing sets, and complex choreography - completely on their own. A clownish nightmare ensues as they tackle Shakespeare's longest and most complicated work armed only with their wit, their theatrical skills, and sheer willpower.

We are at the court of Sweden.
Actually, we are at the court of Denmark.
And we are really in trouble.
UK PREMIERE & PRESS ACCLAIM

Hamlet Prince of Sweden received its UK premiere at the Edinburgh Festival Fringe in August 2026, where it earned four-star reviews and praise from critics and audiences alike:

(4 stars) "Warmly funny, compellingly performed." - Rialto Arts Hub

(4 stars) "A showreel of Shakespeare clowning... a little treat." - The Wee Review

(Hidden Gem)"Energetic, refreshing, and joyful. And there's good Shakespeare in it too." - FringeReview
TOM CORRADINI

Actor, theatre producer, musician and clown, Tom Corradini trained at the Atelier Teatro Fisico of Philip Radice in Turin (Lecoq method). His work has toured major international festivals across Europe, Asia and Australia. More information about his shows is available on the site www.tomcorradini.it

NIKE REDDING

Nicholas "Nike" Redding (M.F.A. in Physical Theatre) is a performing artist and writer originally from Kentucky, USA. His work focuses on vocal and physical expression, musicality, and the use of poetic text. Since 2018 he has collaborated on artistic projects at the Roy Hart Voice Center in southern France, including Zauber (2020), Acis and Galatea (2025), and their current project Dido and Aeneas. He has worked for the past decade with site-specific theatre company Broken Jump, including Promenade, a yearly site-specific performance in Tuscany, and Détournement (2024 & 2025), a collaboration with Mare Culturale Urbano and the Piccolo Teatro Milano. He plays Estragon in the J. Productions performance of Waiting for Godot. More information about his profile is available on the site www.nikeredding.com