Every mode of harmonic minor holds the same seven seventh chords. What changes is which one is home. A minor-major seventh, a half-diminished, an augmented major seventh, a minor seventh, a dominant seventh, a major seventh and a diminished seventh — one set of notes read from seven places. In phrygian dominant home is the dominant seventh. In lydian #2 it is the major seventh. Those are different sounds built out of identical parts, and this book shows where each part lives on the neck. Every chapter is one key of one mode, as a grid: every seventh chord the mode makes, drawn once at the fret it starts on, as a shape you can play. Read down a column for one chord all over the neck; a rule in the margin marks the frets one hand covers from a place where the whole mode is within reach. There are 73 such places across the book. Six modes, seven keys apiece The keys are chosen, not inherited. Every chord is spelled correctly, and in some keys correctly means E#dim — right, and indistinguishable from a typo. Each mode takes the seven keys that spell cleanest, so this book prints five such names where a fixed key order would print eighteen. Every shape is real. Each one was found by a search that checks it against a real hand — four frets, no finger asked to be in two places. Nothing in this book works only on paper. 2,590 chord diagrams. Forty-two keys across six modes. Standard tuning. For players who have the triads of these modes and want the chords jazz and neoclassical players actually voice. The triads are Harmonic Minor Mode Chords, volume 13; the scales as positions are volume 12. Every grid in this book is live at everyfret.com — free, no account, nothing to install. Click a shape to hear it, or change the mode, the key or the tuning. Each spread here prints the address of its own page.
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